Sonntag, 29. Mai 2022, 09:00 - 13:00 iCal

TikTok–Music–Cultures:

Perspectives on the Study of Musicking Practices On & Through TikTok

Institut für Musikwissenschaft, Hörsaal 1
Spitalgasse 2, Hof 9 (Campus), 1090 Wien

Symposium


Weitere Termine

Donnerstag, 26. Mai 2022, 17:00 - 20:00

Freitag, 27. Mai 2022, 09:00 - 18:30

Samstag, 28. Mai 2022, 09:00 - 20:00

PROGRAMME

 

Thursday (26 May)

 

17:00–18:00: Registration / Come-Together

18:00–18:30: Coffee Break

18:30–20:00: (Digitale) Künstler*Innen-Persönlichkeiten auf TikTok (Round Table)

 

Friday (27 May)

 

09:00–10:00: Warm-Up

10:00–10:30: „Welcome to Lesbian TikTok. We’re All Friends Here.“ Inclusion and Exclusion Through Community and Identity Building – A Study of Current Musical Trends of the LGBTQIA* Community on TikTok (Mona Torinek)

10:30–11:00: Rap al caudillo: A Gen Z’s Queer Subversion of Spanish National Imagery (Pau Aguilera Martínez) – online

11:00–11:30: Coffee Break

11:30– 12:00: Always Embedded, Embodied and Everyday – Reflections on Ethnographic Work on TikTok (Juan Bermúdez)

12:00–12:30: Observing Musical Communities Dedicated to Improvisation on TikTok Using Web Scraping (Marc Chemillier, Yohann Rabearivelo & Rémi Jaylet)

12:30–13:00: Exploring the Semiotics of Sound on TikTok (Avery Wright)

13:00–15:00: Lunch

15:00–15:30: The Sea Shanties Revival on TikTok (Kendra Steputtat) – online

15:30–16:00: Love Nwantiti – Researching Musicking Practices in TikTok’s Afrobeats (Tom Simmert)

16:00–16:30: Afrobeats Music Practices on TikTok (Jeduah Bakar Abdul-Rashid)

16:30–17:00: Coffee Break

17:00–17:30: Música contemporánea para una sociedad post-digital: Las redes sociales como expansión del espacio escénico (Belenish Moreno-Gil) – online

17:30–18:00: Lip-Sync: Rizofonía de la voz en TikTok (Ricardo González) – online

18:00–18:30: Coffee Break

18:30: Come-Together / Dinner

 

Saturday (28 May)

 

09:00–10:00: Warm-Up

10:00–10:30: #tiktokactivism: Musik als Medium für politischen Content auf TikTok (Tessa Balser-Schuhmann & Nicole Gómez Quiroga)

10:30–11:00: Performing Politics on TikTok: Activism Without Activists (Emma Schrott)

11:00–11:30: Coffee Break

11:30–12:00: Old Clichés or a Transforming Community? Early Music Interpreters on TikTok: Identity and Communication Strategies (David Merlin)

12:00–12:30: “Fly Me to the Moon”: Performing Jazz on TikTok (Benjamin Burkhart)

12:30–13:00: Bodies, Theatre and Football: TikToks Produced in Uruguay, 2021 – 2022s (Marita Fornaro) – online

13:00–15:00: Lunch

15:00–15:30: Please Duet This: Collaborative Music Making in Lockdown on TikTok (Bondy Kaye) – online

15:30–16:00: „It is your character!“ – Storytelling Through and With the Usage of Audio on Cosplay-TikTok (Ylva Hintersteiner)

16:00–16:30: Similarities and Divergences Between Music Production and TikTok in the Memes Era (Mattia Zanotti)

16:30–17:00: Coffee Break

17:00–17:30: A Surprise Hit of Middle and Old Age Groups: On the Viral TikTok Divine Song “Shepherd of Cocoto Sea” (Weiyang Li) – online

17:30–18:00: Pandemic Dancing and the Grandmas of TikTok (Ariel Lutnesky) – online

18:00–19:30: Coffee Break

19:30: What if the First Qin Emperor Enjoys Cannibal Video on TikTok? – A Comedy from QikQok Dynasty (Heidelberg Scholar Theater Team) [performance]

 

Sunday (29 May)

 

09:00–09:30: Warm-Up

09:30–10:00: Patrones culturales musicales que siguen los artistas virales en TikTok (Carmen Haro Aragú) – online

10:00–10:30: Ethnographic Investigation on Virtual Music Participation Through TikTok in Post-COVID Era: Piano Activities in China as An Example (Chen Jing) – online

10:30–11:00: Dialogue, Identity Building and Music Marketing in TikTok: Rosalia’s Motomami Study (Cristina Pérez-Ordóñez, Andrea Castro-Martínez & José Luis Torres-Martín) – online

11:00–11:30: Coffee Break

11:30–12:00: Musical Sketches – der Weg zum Erfolg? (Julia Neuwirth)

12:00–12:30: „Musikmarketing im digitalen Forschungsfeld TikTok“: Ethnomusikologische Perspektiven auf TikTok als Marketinginstrument für Independent Artists (Anna Dornstätter)

12:30–13:00: Der Einfluss von TikTok auf das Musikentdecken, die Musiknutzung und den Musikgeschmack Jugendlicher (Tobias Marx, Julia Hupp & Hannah Michalowicz) – online

13:00–15:00: Lunch

 

– End of Symposium –

Zur Webseite der Veranstaltung


Veranstalter

Institut für Musikwissenschaft


Kontakt

Juan Bermúdez
Institut für Musikwissenschaft
+43-1-4277-44201
juan.bermudez@univie.ac.at