Freitag, 17. Juli 2020, 15:00 - 16:00 iCal

A&A: Literary Political Networks & Organisations

Art & Action: A Webinar Series on Literary Authorship, Politics, and Celebrity Culture

Zoom (online)
Spitalgasse 2, Hof 8, 1090 Wien

Seminar, Workshop, Kurs

The papers and discussions in this webinar will shed light on the ways in which authors make use of, and rely on, institutions, organisations, and networks as platforms and frameworks for their activist interventions. Ellen Wiles reveals the impact and resonance of live literature events as forms of literary activism. Drawing on her experiential literary ethnography of the Polari Salon, she outlines the ways in which the Polari Salon deploys literary performance as a fruitful means of strengthening LGBTQ+ community bonds and as a form of activism. Benedict Schofield takes a comparative perspective on the transnational literary-political networks that frame and sustain the engaged authorship of Scottish authors A. L. Kennedy and Ali Smith as well as Austrian authors Katrin Röggla and Robert Menasse. He argues that for these writers the fracture of Europe not only prompts a literary reflection of the European crisis, but triggers active interventions into political discourse.


Ellen Wiles: “Live at the Polari Salon: Literary Performance as LGBT Activism”


Benedict Schofield: “From ‘Engaged Authors’ to ‘Engaged Citizens’? Transnational Literary-Political Networks and the Future of Europe Debate (A.L. Kennedy, Robert Menasse, Katrin Röggla, and Ali Smith)”




Ellen Wiles is a novelist, literary anthropologist, and Lecturer in Creative Writing at Exeter University. She is the author of Saffron Shadows and Salvaged Scripts: Literary Life in Myanmar Under Censorship and in Transition (Columbia University Press, 2015) and The Invisible Crowd (HarperCollins, 2017), a polyphonic novel exploring asylum and immigration in the UK, which was awarded a Victor Turner Prize. After reading Music at Oxford, she gained a Masters degree in Human Rights Law from UCL, and spent seven years practicing as a barrister at a London Chambers, punctuated by human rights legal projects in Thailand, Myanmar and Botswana. She gained a Masters in Creative Writing from Royal Holloway on the side, and then ceased practicing law and began a PhD at the University of Stirling, funded by the AHRC, exploring contemporary live literature events through experiential literary ethnography. Her thesis will be published as a book titled: Live Literature: The Cultural Value of Literary Performance Events from Salons to Festivals (Palgrave, 2020). She practises live literature curation and performance, as the founder of Ark, an experimental live literature performance project, which was funded by Arts Council England. Her second novel is due for publication in 2021.


Benedict Schofield is Reader in German and Director of the Centre for Modern Literature and Culture at King’s College London. His research focusses on German Studies, Transnational Studies, and Comparative Cultural Studies, with central concerns including the representation of the German-speaking countries and “Germanness” in cultural texts across world-literary systems; 19th Century Cultural Studies, with a specific focus on authorship; German theatre and performance, especially German engagement with Shakespeare; and contemporary German-US and German-Japanese cultural relations. Publications include Private Lives and Collective Destinies. Class, Nation and the Folk in the Works of Gustav Freytag, and the edited volumes The German Bestseller in the Late Nineteenth Century (co-edited with Charlotte Woodford), German in the World (co-edited with James Hodkinson) and Transnational German Studies (co-edited with Rebecca Braun).

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Art & Action: A Webinar Series on Literary Authorship, Politics, and Celebrity Culture

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Eugenie Maria Theuer
Institut für Anglistik und Amerikanistik